{"title":"Chicago","description":"\u003cp\u003eProjects with a local to Chicago or broader Illinois connection.\u003c\/p\u003e","products":[{"product_id":"high-lonesome","title":"High \u0026 Lonesome","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eHigh \u0026amp; Lonesome\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.nathanpearcephoto.com\/\" target=\"_blank\" rel=\"noopener\"\u003eNathan Pearce\u003c\/a\u003e \u003cbr\u003eEssay by Tim Carpenter \u003cbr\u003eDeadbeat Club \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e84 PAGES \u003cbr\u003eHARDCOVER \u003cbr\u003eDUOTONE OFFSET \u003cbr\u003e10.25” X 10.25” \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN: 978-1-952523-13-7 \u003cbr\u003e$50\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNathan is both a friend of the shop and an exceptional representative for modern photography in Illinois. Based in Southern Illinois, his home region serves as the backdrop for much of his work, and his prolific release schedule is both inspiring and ensures we’ll likely always have something from Nathan in stock, be it one of his many zines or this, his beautiful first solo monograph published by Deadbeat Club.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Deadbeat: For much of the last decade, working from his home base of Fairfield, Illinois, Nathan Pearce has produced a series of mostly low-fi zines and books rooted in a tender and obsessive investigation of place. It's been apparent from the beginning that Pearce is invested in the rural southern midwest and the people who live there, and he has succeeded in finding in that place a world as interesting and exotic as anything a bored Midwestern kid would encounter in an ancient copy of \u003ci\u003eNational Geographic \u003c\/i\u003ein the waiting room of an alcoholic dentist's office. Pearce's is a quiet world—one of those nowhere-to-go, nothing-to-do kind of places that tends to give over-stimulated types a panic attack. In the quiet photographs gathered in \u003ci\u003eHigh \u0026amp; Lonesome\u003c\/i\u003e however, there is an unmistakable and almost subversive act of stewardship taking place, a cultivation of mysteries and devotion that both embraces and subverts the mythology of the rural Midwest. These are quiet photos, but not entirely silent; beyond them you can hear the watchwinding racket of the natural world, or the forlorn and distant surf of traffic. They're also eerily out-of-time; there's a photo of a January 1993 page from an advertising calendar that's an apt metaphor for a place that seems to be trapped in amber. There's very little in these pictures, in fact, to indicate the 21st-century is anything but a still-distant nightmare from a pulp science fiction novel. William Gass, in \u003ci\u003eThe Heart of the Heart of the Country\u003c\/i\u003e, wrote, \"Of course there is enough to stir our wonder anywhere; there's enough to love, anywhere, if one is strong enough, if one is diligent enough, if one is perceptive, patient, kind enough—whatever it takes.\" \u003ci\u003eHigh \u0026amp; Lonesome \u003c\/i\u003eis a master class in whatever it takes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNathan Pearce (USA, born 1986) is an artist and photographer based in Southern Illinois. Pearce works in book and zine making and photography. After \u003ci\u003eStill Feel Gone\u003c\/i\u003e, a first publication made in collaboration with Tim Carpenter and published by Deadbeat Club, \u003ci\u003eHigh \u0026amp; Lonesome\u003c\/i\u003e is Pearce’s first solo monograph.\u003cbr\u003e\u003cbr\u003ePearce’s publications are held in several artists’ book and library collections including those at MoMA, The Met, Museum of Contemporary Photography, and the Center for Creative Photography. His work has been exhibited in solo shows at the PhotoNola festival, Cedarhurst Center for the Arts, Nizhniy Tagil Museum of Fine Arts and The Range- finder Gallery in Chicago. He has been published in over 200 books, zines and exhibition catalogs; as well as online in The Huffington Post, The British Journal of Photography, and Juxtapoz.\u003c\/p\u003e","brand":"Deadbeat Club","offers":[{"title":"Default Title","offer_id":44796598943801,"sku":"1-0010","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/cu_2025_06_14_REALM_1395_CU.jpg?v=1755531049"},{"product_id":"chicago","title":"Chicago","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eChicago\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.marksteinmetz.net\/\" rel=\"noopener\" target=\"_blank\"\u003eMark Steinmetz\u003c\/a\u003e \u003cbr\u003eEssay by Peter Galassi \u003cbr\u003eNazraeli Press \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eHardcover, cloth \u003cbr\u003e10.5 x 12 inches \u003cbr\u003e148 pages \u003cbr\u003e129 duotone plates \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN: 978-1-59005-611-0 \u003cbr\u003e$75 \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Nazraeli: We are thrilled to announce the publication of \u003ci\u003eChicago\u003c\/i\u003e by Mark Steinmetz. This extraordinary group of photographs, made between 1988 and 1991, provides a compelling portrait both of the city itself and of the time in which they were made.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSteinmetz’s relationship with Chicago is an important and evolving aspect of his artistic journey. While he is primarily associated with the South, Chicago has long been a city that has inspired his creative exploration. Chicago’s distinct neighborhoods, architecture, and energy offered Steinmetz a rich source of material, allowing him to capture the city’s quiet moments and intimate portraits of its residents. Chicago showcases a unique perspective of the city and and is an important chapter in Steinmetz’s ongoing dialogue with the broader American landscape.\u003cbr\u003e\u003cbr\u003eBorn in 1961, Mark Steinmetz lives in Athens, Georgia. He is a Guggenheim Fellow, with work in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Art Institute of Chicago, and the Los Angeles County Museum of Art.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eChicago\u003c\/i\u003e opens with an essay by Peter Galassi, Chief Curator of Photography at the MoMA, New York, from 1991 to 2011. Beautifully printed in duotone on a special matte art paper, and bound with a two-tone brown linen over boards, this first printing is limited to 1,500 copies and was published to coincide with an exhibition of the same name at Stephen Daiter Gallery in Chicago.\u003c\/p\u003e","brand":"Nazraeli Press","offers":[{"title":"Default Title","offer_id":44801622048825,"sku":"1-0023","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/Realm_Books_021434_Chicago_small_dc9afdde-916c-4dc2-9240-590038877eeb.jpg?v=1755655864"},{"product_id":"business-trip","title":"Business Trip","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eBusiness Trip\u003cbr\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/www.michaelggerstein.com\/\" rel=\"noopener\" target=\"_blank\"\u003eMichael Gerstein\u003c\/a\u003e, \u003cbr\u003e\u003ca href=\"https:\/\/jdanielhud.com\/\" rel=\"noopener\" target=\"_blank\"\u003eJ Daniel Hud\u003c\/a\u003e, \u003cbr\u003e\u003ca href=\"https:\/\/www.instagram.com\/jack.mcky\/\" rel=\"noopener\" target=\"_blank\"\u003eJack McKinney\u003c\/a\u003e, \u003cbr\u003e\u003ca href=\"https:\/\/ludvigperes.com\/\" rel=\"noopener\" target=\"_blank\"\u003eLudvig Perés\u003c\/a\u003e, \u003cbr\u003e\u003ca href=\"https:\/\/jordanputt.com\/\" rel=\"noopener\" target=\"_blank\"\u003eJordan Putt\u003c\/a\u003e \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eChicago, IL, USA\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e$15\u003c\/p\u003e","brand":"Zine","offers":[{"title":"Default Title","offer_id":44805619351609,"sku":"2-0001","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/2025_06_14_REALM_1159_BusinessTripZine_small_3e30e12e-71fd-407d-9bd5-b81d811f8033.jpg?v=1755747392"},{"product_id":"waco","title":"waco","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003ewaco\u003c\/strong\u003e \u003cbr\u003e\u003ca rel=\"noopener\" href=\"https:\/\/jackgarland.co\/\" target=\"_blank\"\u003eJack Garland\u003c\/a\u003e \u003cbr\u003eNearest Truth Editions \u003c\/h3\u003e\n\u003cp class=\"p2\"\u003e9.25\" x 12.25\"\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eArtist Edition includes signed and editioned print, hand-bound newspaper from the Waco Tribune (also signed). Limited to 150\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn Waco, Jack Garland uses photography not to document, but to stage. He takes the name of a town overloaded with historical weight and cultural paranoia and turns it into a conceptual scaffold — a fiction built from images made across the United States. The work sidesteps traditional narrative in favor of something more slippery, more affective: a visual essay about how a society mythologizes itself — how fear, memory, and spectacle fuse into place.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe photographs move through suburbs, desolate towns, highways, empty lots, and liminal thresholds. There are fences and sprinklers, strip mall roofs, and houses veiled in fog. Most faces are glimpsed from a distance, caught in a split second; a few domestic scenes feel quietly loaded. Nothing is staged, exactly — but everything feels staged by history. Garland is less interested in what happened in Waco than in what Waco means, and how that meaning has metastasized in the American psyche.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat emerges is a kind of visual Potemkin village: a false front that reveals more than it hides. In the classical sense, Potemkin villages were facades built to deceive — architecture as performance. Garland inverts the idea. His fiction is not meant to fool us. It’s meant to sharpen our focus. Waco is a mirror, not a mask. The fiction isn’t a byproduct of the work — it is the work.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eBy invoking Waco without ever depicting it, Garland reveals how certain places grow more potent as symbols than as sites. His work taps into that alchemy — where memory becomes myth, and myth becomes architecture. In doing so, he constructs a geography of the American unconscious: not where we are, but where our collective fears and fantasies live.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eJack Garland\u003c\/strong\u003e on the \u003cstrong\u003eSmall Photobook Cult\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Gq8CFOhefIY?si=0Xi-YFVYsBE5qIcw\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Nearest Truth Editions","offers":[{"title":"Trade","offer_id":45624435671097,"sku":"1-0000-1","price":50.0,"currency_code":"USD","in_stock":true},{"title":"Artist","offer_id":45624435703865,"sku":"1-0000-2","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/6R4A4931.jpg?v=1774280659"},{"product_id":"ten-sheds-again","title":"Ten Sheds (Again)","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eTen Sheds (Again)\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.nathanpearcephoto.com\/\" rel=\"noopener\" target=\"_blank\"\u003eNathan Pearce\u003c\/a\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e$8 \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA typology zine of sheds in Fairfield Illinois.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEdition of 25 signed and numbered.\u003c\/p\u003e","brand":"Zine","offers":[{"title":"Default Title","offer_id":44809358016569,"sku":"2-0007","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/RealmBooks021897_TenShedsAgain.jpg?v=1755873446"},{"product_id":"viewing-hours","title":"Viewing Hours","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eViewing Hours\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.bengeier.com\/\" rel=\"noopener\" target=\"_blank\"\u003eBen Geier\u003c\/a\u003e \u003cbr\u003eTrope Publishing \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eHardcover \u003cbr\u003e176 pages \u003cbr\u003e8 x 10 inches \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN: 978-1-951963-37-8 \u003cbr\u003e$55 \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere’s something about the abandoned storefronts, vintage motels, and forgotten restaurants of the 1950s and 60s that evokes a mid-century nostalgia, even for those of us who weren’t alive in those years. \u003ci\u003eViewing Hours\u003c\/i\u003e brings together the photography of Ben Geier, who has spent the last decade traveling the United States to capture the images of these once vibrant, and now abandoned treasures.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOrganized in sections, including Signs, Theatres, Restaurants, Motels, Roadside, and Storefronts, and featuring an introduction by the photographer, \u003ci\u003eViewing Hours \u003c\/i\u003efeatures over 150 color images from 15 states, including Arizona, California, Indiana, Illinois, Iowa, Kentucky, Michigan, Missouri, New Jersey, New Mexico, Ohio, Oklahoma, Pennsylvania, Texas, and Wisconsin. Evoking a sense of nostalgia and solitude, Geier’s work highlights the modernist architecture, minimalist design, and muted color palette of the mid-century.\u003c\/p\u003e","brand":"Trope Publishing","offers":[{"title":"Default Title","offer_id":44847029452857,"sku":"1-0032","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/2025_09_05_REALM_0280_ViewingHoursCU.jpg?v=1757176871"},{"product_id":"american-legion","title":"American Legion","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eAmerican Legion\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.mariahkarson.com\/\" rel=\"noopener\" target=\"_blank\"\u003eMariah Karson\u003c\/a\u003e \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eHardcover\u003cbr\u003e12”x8”\u003cbr\u003e252 pages\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmerican Legion documents Karson's travels to photograph and interview Legionnaires at four American Legion posts in towns with populations under 1,000. From 2014 to 2016, Karson witnessed and explored the lives of Legion members and the impact veterans and posts have on small communities. The project has been compiled into a 252-page hardcover book.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eKarson’s photographs and book capture the faces and firsthand accounts of veterans through military experiences, both in wartime and beyond. An example of true Americanism in a diminishing era of organized participation, the project involved spending countless hours with participating veterans as she was welcomed into the various communities she documented. As the U.S. veteran population decreases, Karson's showcasing of unique veteran experiences reminds the reader why service members are so highly regarded and valued in such small communities. Her photographic work captures the daily lives of these veterans and how the cherished military service of years past is still able to flow throughout the fabric of the present community.\u003c\/p\u003e","brand":"Self","offers":[{"title":"Default Title","offer_id":44847264890937,"sku":"1-0035","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/2025_09_05_REALM_0729_AmericanLegionCU.jpg?v=1757198109"},{"product_id":"spain-is-for-lovers","title":"Spain is for Lovers","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eSpain is for Lovers\u003c\/strong\u003e \u003cbr\u003eKarthik Prabhakar \u003cbr\u003ek35blu \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e8.5” x 11”\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExperience the bustling streets of Madrid, Barcelona, and Seville. With 105 stunning images presented on 80lb satin finish pages, this book captures the beauty and energy of the country in stunning detail.\u003c\/p\u003e","brand":"Zine","offers":[{"title":"Default Title","offer_id":44849382162489,"sku":"2-0008","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/2025_09_05_REALM_0462_SpainCU.jpg?v=1757288737"},{"product_id":"portugal-the-sun-kissed-country","title":"Portugal. The Sun-Kissed Country","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003ePortugal. The Sun-Kissed Country\u003c\/strong\u003e \u003cbr\u003eKarthik Prabhakar \u003cbr\u003ek35blu \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e8.5” x 11” \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExperience the vibrant streets of Portugal. With 92 stunning images presented on 80lb satin finish pages, this book captures the beauty and energy of the country in stunning detail.\u003c\/p\u003e","brand":"Zine","offers":[{"title":"Default Title","offer_id":44849410375737,"sku":"2-0009","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/2025_09_05_REALM_0475_PortugalCU.jpg?v=1757289108"},{"product_id":"pointing-at-stuff-001","title":"Pointing at Stuff 001","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003ePointing at Stuff 001: Indecisive Moments\u003c\/strong\u003e \u003cbr\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.claytonhauck.com\/\" target=\"_blank\"\u003eClayton Hauck\u003c\/a\u003e \u003cbr\u003eRealm Books\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eSoft cover\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e8” x 10”\u003cbr\u003ePerfect bound\u003cbr\u003e96 pages\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN: 979-8-9937320-0-8\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNovember 2025\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA global pandemic. A Richard Avedon biography. An obsession with consuming YouTube. These were a few of the catalysts that, when combined with the purchase of a new Ricoh GRiii “pocket camera,” caused photographer Clayton Hauck to, as he puts it, “become a photographer again.” With decades of experience as a \u003ci\u003eworking\u003c\/i\u003e photographer in all areas of the field, this zine is the first in a new series of personal photography and creative exploration in which Clayton aims to channel his obsession with the medium and claim the title of \u003ci\u003eartist\u003c\/i\u003e.\u003c\/p\u003e","brand":"Realm","offers":[{"title":"Default Title","offer_id":44861174415417,"sku":"2-0010","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/2025_09_08_REALM_3876_PointingatStuff002redoCU_ab204937-b6c7-4004-a344-80120ac6eeb8.jpg?v=1758777670"},{"product_id":"heavens-like-a-frat-party","title":"Heaven's Like a Frat Party","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eHeaven’s Like a Frat Party\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/clay.dead.homes\/\" target=\"_blank\" rel=\"noopener\"\u003eClay Mills\u003c\/a\u003e \u003cbr\u003eEphemere \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eFirst Edition: 150 copies, numbered\u003cbr\u003eSize: W14.8 x H21cm (A5)\u003cbr\u003eBinding: Open spine, Swiss binding\u003cbr\u003eOther: Hard cover, 128 pages, semi-glossy paper\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom the Photographer:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eHeaven’s Like a Frat Party, You Just Gotta Know Someone\u003c\/i\u003e compiles pictures I’ve taken between 2019 to 2022. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThese are primarily pictures of my friends and places we’ve spent time in. Repetition of people and the movement across a brief period of time gives one the impression that these photos follow a singular gang of boys romping across a haunted America — the world’s been left behind yet they must live on. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMany of my friends in these photos have never actually met each other, they come from different places. Reconciliation is found in their occasional intersection — ghosts rediscovering ones they once knew while still alive. In an empty world, these brief encounters catch a glimpse of a manic happiness in a sea of sadness — the impossible picture of fulfilled life in an unfulfilled world. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOften in these pictures my friends are only looking. They’re permitted to observe but never alter. Soon their youth will disappear, and the static world they haunt will survive them. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWho are my friends? They are not the members of the eponymous fraternity — rather they’re people who can enter anywhere, yet are never fully integrated into their environment. When a brother knows you at the door you’re in, but all night you’ll be asked, “who do you know here?” The promise of the title is that they might find refuge anywhere a familiar face can be found, but just refuge. Wuthering Heights — “heaven did not seem to be my home.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThese photos are precious and funny and evil to me, they’re doorways to a memory of a life I did not myself live. My photos could perhaps be called “youth photos,” if that description is adequate to what Baudelaire tasked us with: to capture, “the fugitive, fleeting beauty of present-day life… often weird, violent, and excessive.” \u003c\/p\u003e","brand":"Ephemere","offers":[{"title":"Default Title","offer_id":44930620358713,"sku":"1-0056","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/2025_REALM_HP_7196_HeavensLikeaFratParty_small_3fe41621-dfa0-4416-bab1-65253b1c98ea.jpg?v=1759783707"},{"product_id":"uncle-volume-1","title":"UNCLE, Volume 1","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eUNCLE, Volume 1 \u003c\/strong\u003e\u003cbr\u003eUncle Projects \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eSoftcover, 76 pages\u003cbr\u003e8.5\" x 11\" perfect bound\u003cbr\u003eFull-color, offset printing\u003cbr\u003e100lb satin text, 110lb satin cover\u003cbr\u003ePrinted in the USA\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUNCLE is an annual magazine of photographic stories with no accompanying text, created in response to the speed and noise of the digital world. 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Daily Bread (Pointing at Stuff 002) is the next zine installment from Clayton Hauck, in which he further explores the contrasting dynamics between his personal and professional photography practices. Obsessed with making images of his life at all times, while questioning the meaning of it all, this project makes no progress in finding the why, yet goes a long way in determining the why not?\u003c\/p\u003e","brand":"Realm","offers":[{"title":"Default Title","offer_id":45606960627769,"sku":"2-0035","price":22.22,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/2026_03_20_RealmBooks_07A4437_DailyBreadb.jpg?v=1774114493"},{"product_id":"no-type-magazine","title":"No-Type Magazine","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eNo-Type Magazine\u003c\/strong\u003e \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eIssue No. 01 \u003cbr\u003e\u003c\/span\u003eOh! 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