{"title":"New Releases","description":"\u003cp\u003eThese are the photobooks \u0026amp; zines that have just been released, hot off the printing presses!\u003c\/p\u003e","products":[{"product_id":"the-weight-of-ash","title":"The Weight of Ash","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eThe Weight of Ash\u003c\/strong\u003e \u003cbr\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.iancbates.com\/\" target=\"_blank\"\u003eIan Bates\u003c\/a\u003e \u003cbr\u003eDeadbeat Club \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003ePoem by Caitlin Lorraine Johnson \u003cbr\u003eEssay by Daniel Gumbiner \u003cbr\u003e92 Pages \u003cbr\u003eHardcover with blind debossed title \u003cbr\u003eDuotone Offset \u003cbr\u003e10.5” x 12.5” \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN: 978-1-952523-30-4 \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Deadbeat: Between 2014 and 2020, Ian Bates traveled tirelessly along the West Coast of the United States. For years, he has photographed there a charred land suffering from increasing scorching wildfires. But, far from any voyeuristic dramatization, scarce are the depictions of the roaring flames, or of the fire’s fury. Rather, standing at a respectful distance, Bates photographs in rich black and white tones what is at the margin, the traces, the aftermaths. The beauty and horror of the landscape, too, enshrouded in a grey cloak of ashes and plumes. “There is a moment after a wildfire burns but before humans return”, says Bates, “where the land and forests are both beautiful and terrifying.” \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHis photographs, seemingly suspended out of time in a muffled silence, at the edge of the catastrophe, are a meditative exploration on this liminal stage between calm and violence, on the fine line we dance on when we build and expand on nature’s ground. A meditation on the harshness, anxiety, and beauty of wildfires—which can, as well as destroy, prepare a fertile ground for new life to start.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOriginally from New Jersey, Ian Bates lives and works in the Bay Area. His photographs look at his curiosities of contradictions in human nature around the United States and how people interact with the environments they inhabit. He has shown work at Pier 24 (San Francisco), Filter Space (Chicago), and the Center for Photographic Art (Carmel), amongst others. He was chosen as one of PDN’s 30 Emerging Photographers to Watch in 2017. His work has been published in The New Yorker, National Geographic, The New York Times, Smithsonian, Rolling Stone and others.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis is his third publication with Deadbeat Club, after \u003ci\u003eMeadowlark\u003c\/i\u003e (2022) and \u003ci\u003eLost Dog\u003c\/i\u003e (2023), both sold out.\u003c\/p\u003e","brand":"Deadbeat Club","offers":[{"title":"Default Title","offer_id":44847290515513,"sku":"1-0037","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/5_2dfecd0a-964d-4ea5-ad2f-abe87de7e678.webp?v=1757204361"},{"product_id":"billions-served","title":"Billions Served","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eBillions Served \u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"https:\/\/renaldi.com\/\" rel=\"noopener\" target=\"_blank\"\u003eRichard Renaldi\u003c\/a\u003e \u003cbr\u003eDeadbeat Club \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e132 pages \u003cbr\u003eHardcover \u003cbr\u003eFive color offset \u003cbr\u003e9.5 x 11.5 \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN : 978-1-952523-33-5\u003cbr\u003e$65\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIf I’m being honest, I was filled with skepticism prior to holding Richard Renaldi’s fantastic project from Deadbeat Club, Billions Served; much like the bland anticipation felt waiting in line at the drive thru before grabbing your generic-packaged lunch. Instead, the book delivers a memorable trip through America’s incredibly popular cheap food destinations, with the perfect mix of environment and detail shots to compliment Renaldi’s breathtaking large format portraits of both everyday customers and restaurant staff. -CH\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Deadbeat: In \u003ci\u003eBillions Served\u003c\/i\u003e, Richard Renaldi once again offers his large format portraiture as an invitation to slow down and see familiar sights in new light. The title, taken directly from the boastful catchphrase \"Billions and billions served\", at once acknowledges the economics of American fast food while simultaneously signaling that those billions of burgers have been served both \u003ci\u003eto\u003c\/i\u003e and \u003ci\u003eby\u003c\/i\u003e billions of people. Contrary to the nature of fast food environs where subtle cues direct us through choreographed movements toward ever swifter commerce \u0026amp; consumption, Renaldi invites the viewer to pause and actively participate in each moment. His black \u0026amp; white photos neutralize the riot of color otherwise drawing our eyes; color portraits place fellow patrons center stage, from out of the recesses where corporations would let them fade. The result is a new way of actively engaging these often frequented but seldom-considered scenes with a spotlight on humanity. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRichard Renaldi was born in Chicago in 1968. He received a BFA in photography from New York University in 1990. He is represented by Benrubi Gallery in New York and Robert Morat Galerie in Berlin. \u003ci\u003eBillions Served\u003c\/i\u003e is his sixth monograph. He was the recipient of a 2015 fellowship from the John Simon Guggenheim Memorial Foundation.\u003c\/p\u003e","brand":"Deadbeat Club","offers":[{"title":"Default Title","offer_id":44897724596281,"sku":"1-0053","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/RealmBillionsServed1770155582029.jpg?v=1770178275"},{"product_id":"mothers-land","title":"Mother's Land","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eMother’s Land\u003c\/strong\u003e\u003cbr\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.danielpostaer.com\/\" target=\"_blank\"\u003eDaniel Lee Postaer\u003c\/a\u003e \u003cbr\u003eDeadbeat Club \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eEssay by Christopher McCall \u003cbr\u003e96 pages \u003cbr\u003eHardcover \u003cbr\u003eFull Color Offset \u003cbr\u003e15 x 11\" \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN : 978-1-952523-32-8\u003cbr\u003e$65\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Deadbeat: \u003ci\u003eMother's Land \u003c\/i\u003eis a collection of dioramas, of unscripted scenes in which we see a shifting 2010s China unfold before our eyes. It is, also, the result of a long, introspective journey that led Daniel Lee Postaer in search of a missing part of his identity—the one left behind by his grandparents who, more than fifty years earlier and fleeing the communist regime, could take along a daughter, but were forced to abandon another.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn search of this \"other half,\" Postaer lived in China in the early 2000s, and returned several times in the second half of the 2010s, becoming a first-hand witness to the country’s contemporary developments.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn an all-encompassing portrait of urban China, in large-scale compositions embracing a multitude of characters and scenes, \u003ci\u003eMother’s Land\u003c\/i\u003e shows us a country in the throes of economic and social transformations. A brutal country, too, that erases without scruple, without memory; which demolishes to rebuild further, bigger, higher. A country in mutation, where contrasts become apparent, where the smooth and shiny surfaces of glass and hypermodernity clash with the coarseness of rubble scattered among ruins. A country in which time moves violently fast, in which each year seems like five, and where the traces of Postaer's previous life seem to evaporate. Only the construction sites reveal, through the rubble, all the strata of time gone by—sedimentary layers unearthing vestiges of the past.\u003c\/p\u003e","brand":"Deadbeat Club","offers":[{"title":"Default Title","offer_id":44899188277305,"sku":"1-0054","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/MothersLand_RealmBooks_02A8402.jpg?v=1771896759"},{"product_id":"the-only-dog-i-hate","title":"The Only Dog I Hate","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eThe Only Dog I Hate \u003c\/strong\u003e\u003cbr\u003eJordan Reyes \u003cbr\u003eEphemere \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eFirst Edition \u003cbr\u003eHardcover \u003cbr\u003eEdition of 250 \u003cbr\u003eH257 x W182 mm \u003cbr\u003e48 pages\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN 978-4-911506-11-0 \u003cbr\u003e$50 \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom the author: \u003c\/span\u003e\u003cspan\u003e“Imagine a rocking boat. At the horizon, gravity’s velocity is evident, but in close undulation, it sloshes unclear, mediated spherically. Unmoored atop constant, unknowable, aqueous pulse — reality’s formulae aggregate to unpredictability — direction, material, causation but sand castles.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNo easy geolocation; no live, human faces. When you’re thumbing books in Morpheus’ library are the pages damp? In the bound folds are ideograms and letters gasping and warped? Do they slide off wet pulp and congeal in dark pools? Do you dive after?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eI don’t hate any dog, but if I did it would be this one.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Ephemere","offers":[{"title":"The Only Dog I Hate (SOLO)","offer_id":45764519559225,"sku":"1-0059","price":50.0,"currency_code":"USD","in_stock":true},{"title":"The Only Dog I Hate \u0026 I’ll See You in the Branches (COMBO)","offer_id":45764519591993,"sku":"1-0126-1","price":90.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/REALMBOOKS-157-2.jpg?v=1761424893"},{"product_id":"the-marble","title":"The Marble","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eThe Marble\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.dbg.nyc\/\" target=\"_blank\" rel=\"noopener\"\u003eDavid Brandon Geeting\u003c\/a\u003e \u003cbr\u003eTBW Books \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eCasebound hardcover with tip-in\u003cbr\u003e180 pages, 144 color plates\u003cbr\u003e8.5 x 11 in \/ 215.9 x 279.4 mm\u003cbr\u003eForeword by Caroline Polachek\u003cbr\u003e2025\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN 978-1-942953-80-7\u003cbr\u003e$60\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom TBW: In \u003ci\u003eThe Marble,\u003c\/i\u003e Geeting pushes photography to the edge of absurdity and back again. Working at the intersection of commercial gloss and fashion fantasy, stock image neutrality, and the strangeness of amateur imagemaking, Geeting builds a visual language that is both highly polished and deeply confounding in its narrative. The result is a book as humorous as it is heartfelt—an offering of staged sincerity wrapped in surreal detail.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eGeeting’s career began in 2012, shortly after graduating from the School of Visual Arts in 2011. While working at a juice bar, he photographed in his spare time and posted images to Tumblr, where his distinctive approach quickly drew attention and led him into commercial and fashion photography. His art practice would continue to build from these worlds and blur the lines between image distinctions—an approach that carries through into \u003ci\u003eThe Marble, \u003c\/i\u003ewhere the tension between chaos and control is rendered playful and alive, everyday objects become characters, emotions are suggested through color and texture, and narrative logic gives way to visual rhythm.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eAt its most intimate, the book flirts with existentialism; at its most extreme, it may be the first photo book to seriously consider the perspective of an ant.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe book opens with a foreword by musician and artist Caroline Polachek, whose own work shares Geeting’s fascination with surface, sensation, and the eroding distinction between fact and fiction that defines the current moment. Ultimately, \u003ci\u003eThe Marble\u003c\/i\u003e asks its viewers: What happens when photography lets go of itself—and its ego? The result is something weirdly and beautifully tender.\u003c\/p\u003e","brand":"TBW Books","offers":[{"title":"Default Title","offer_id":45142635380793,"sku":"1-0061","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/The_Marble_RealmBooks_02A8104_small_e37219d0-3905-4cdc-a18d-5d6f31a37b2d.jpg?v=1768865226"},{"product_id":"blank-notes","title":"Blank Notes","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eBlank Notes\u003c\/strong\u003e \u003cbr\u003eMarshall To \u003cbr\u003eCharcoal Press \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eSoft cover \u003cbr\u003e144 Pages \u003cbr\u003e10.5 x 14.5 inches \u003cbr\u003eMatte ivory paper with painted black edges \u003cbr\u003eEdition of 1000 \u003c\/p\u003e\n\u003cp class=\"p2\"\u003eISBN: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e9781590056196\u003cbr\u003e$75\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Charcoal: Marshall To grew up a second generation Chinese immigrant in rural Canada. His family was Taoist and owned a Chinese Restaurant.  To's father believed that people lived in a supernatural world that existed simultaneously with the physical world. He believed we humans surrounded by the spirits of loved ones, those awaiting reincarnation and by those who remained, restless and vengeful.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn Taoism, on the fifteenth day of the seventh month in the lunar calendar, the gates of Hell open to allow Hungry Ghosts a chance to once again roam the earth in search of food and sustenance. Taoist families venerate the dead during this time. They offer prayers to their deceased relatives for protection and burn Hell Notes (money) to help ghosts to live comfortably in the afterlife. These Hungry Ghosts are dangerous. They take many forms - owls, snakes, moths, birds, foxes, wolves, and tigers. Some can even use the guise of a beautiful man or woman to seduce and possess. This time of year is a celebration, but also a warning to tread lightly. a time to be careful not to offend those who we don’t see. To be careful because the gates are open and the ghosts are hungry.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn his debut monograph, To depicts the thinning veil between natural and supernatural. Providing evidence of the intertwining of realities, of cultures, and of versions of ourselves.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eFrom the Artist\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"I remember having a fever one night after visiting my grandmother's grave. I Felt like I was on fire, twisted inside out. I could smell the incense and heard frantic prayers. I was helpless, and felt controlled by something else…something other. The prayers repeated over and over as the fever and incense burned. All of a sudden, a deafening CRACK sounded from inside the ceiling. I was loud as thunder, and then there was silence. The incense burnt out and the prayers stopped. It seemed only natural that the veil separating the living and the dead might be as thin as the line between life and death.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8u6Z7kIvqyU?si=kyXxhI1ibBtX-rSK\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Charcoal Press","offers":[{"title":"Default Title","offer_id":45152384286777,"sku":"1-0062","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/02A8261.jpg?v=1771435002"},{"product_id":"pictures-poems-no-02-as-we-turn","title":"Pictures \u0026 Poems No. 02: As We Turn","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003ePictures \u0026amp; Poems No. 02: As We Turn\u003c\/strong\u003e \u003cbr\u003ePhotographs by Al J. Thompson \u003cbr\u003ePoems by Tanio M. McCallum \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e$5\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e24 Page, Saddle Stitched 7 x 9.5\" on 60# White Offset\u003cbr\u003eNumber of Poems: 9\u003cbr\u003eNumber of Images: 16\u003cbr\u003eEdition Size: 2,000\u003cbr\u003eDesign: Studio Elana Schlenker\u003cbr\u003ePrinter: Linco Printing, Inc.\u003cbr\u003ePublisher: Little Oak.PRESS, Charlottesville, Virginia, USA\u003cbr\u003eISBN 978-1-7358143-5-3\u003cbr\u003e\u003c\/p\u003e","brand":"Little Oak Press","offers":[{"title":"Default Title","offer_id":45172988117049,"sku":null,"price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/Pictures_Poems02.jpg?v=1763147247"},{"product_id":"trembling-earth","title":"Trembling Earth","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eTrembling Earth\u003c\/strong\u003e \u003cbr\u003e\u003ca rel=\"noopener\" href=\"https:\/\/davidwalterbanks.com\/\" target=\"_blank\"\u003eDavid Walter Banks\u003c\/a\u003e \u003cbr\u003eBitter Southerner \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eLinen-Wrapped Hardcover\u003cbr\u003e144 Pages\u003cbr\u003e90 Photographs\u003cbr\u003e9.625 x 13''\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Bitter Southerner: Over the course of three years, David Walter Banks paddled 500 miles and spent 69 nights deep in the Okefenokee Swamp - a magical mystery tour that changed his life.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere, among the cypress, snakes, and alligators, Banks found an endless flow of mind-expanding beauty. And here in this new book are the 90 stunning (almost hallucinatory) photographs he created.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTake a trip through the swamp in all its psychedelic wonder. See the ancient in a new and beautiful way. There's never been a book about the Okefenokee like \u003ci\u003eTrembling Earth\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWe know you're going to love it.\u003c\/p\u003e","brand":"Bitter Southerner","offers":[{"title":"Default Title","offer_id":45191897710649,"sku":"1-0072","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/Trembling_Earth_1777073084648.jpg?v=1777163856"},{"product_id":"pamplemousse-magazine-12","title":"Pamplemousse Magazine 12","description":"\u003cp class=\"p1\"\u003ePamplemousse Magazine\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISSUE 12 FOUNDATIONS IS AN EXPLORATION OF WHAT ENDURES AND GROUNDS US. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTHE ISSUE EXPLORES THE CONCEPT OF FOUNDATIONS FROM A FEW DIFFERENT ANGLES: SOME MORE CONCEPTUAL AND OTHERS MORE LITERAL. WE HAVE TWO PROJECTS THAT EXAMINE THE FOUNDATIONS OF ANALOG PHOTOGRAPHY - ONE THROUGH THE HISTORIC TECHNIQUE OF WET PLATE COLLODIUM IMAGES AND ANOTHER THROUGH DARKROOM COLLAGE. WE TOUCH ON THE FOUNDATIONS OF THE EARTH AND ECOLOGY AND FEATURE VERY PERSONAL PROJECTS ABOUT THE FOUNDATIONS OF IDENTITY AND FAMILY. OUR OPEN CALL TOOK THE THEME LITERALLY AND FOCUSED ON ARCHITECTURE PHOTOGRAPHY, WITH SOME OF OUR FAVORITE IMAGES FEATURED IN OUR COMMUNITY SPOTLIGHT SECTION.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eFEATURED ARTISTS:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLISA ELMALEH\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eROSEMARY HAYNES\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eJEE SU KIM\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eJONAH REENDERS\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eJEFFREY RICH\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFARREN VAN WYK\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e***\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCOVER IMAGE BY JEE SU KIM\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLAYOUT \u0026amp; DESIGN BY HANNAH MENDENHALL SCHMUCK\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRELEASE DATE: NOVEMBER 2025\u003c\/p\u003e","brand":"Pamplemousse","offers":[{"title":"Default Title","offer_id":45216456278073,"sku":"2-0028","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/PAMPLEMOUSSE1201.jpg?v=1764515761"},{"product_id":"fishworm","title":"Fishworm","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eFishworm\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/pguilmoth.com\/\" rel=\"noopener\" target=\"_blank\"\u003ePia Paulina Guilmoth\u003c\/a\u003e \u0026amp; Jesse Bull Saffire \u003cbr\u003eVoid \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e21,6 x 28 cm \u003cbr\u003e232 pages \u003cbr\u003e1000 copies \u003cbr\u003eSoftcover w\/ poster dustjacket\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN 978-618-5479-46-6\u003cbr\u003e$70\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“moldy debris + delinquent rituals + chaos + celebration + domestic comfort”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Void: For the past seven years, Pia Paulina Guilmoth and Jesse Bull Saffire have been scavenging within a sixty-mile orbit of their home: abandoned houses collapsing into the earth, mould-streaked cardboard boxes, the hunting camp at the end of the road, a politician’s discarded gay porn collection, yard sale leftovers, a junk-shop beside the waterfall. Family photos, town reports, forgotten newspapers — fragments of lives slipping out of memory.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“Everything was done on a beat-up Xerox machine we found sitting in the rain outside the fire department on Heavy Dump Day, 2024. The pages are a rearranged scrambled up history of old mill towns and pine-shadowed villages, somewhere between antique and Y2K. Debris and rituals, chaos and celebration, mildew and domestic comfort.”\u003c\/p\u003e","brand":"Void","offers":[{"title":"Default Title","offer_id":45262160724025,"sku":"1-0089","price":70.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/Fishworm01.jpg?v=1766008062"},{"product_id":"as-long-as-the-sun-lasts","title":"As Long as the Sun Lasts","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eAs Long as the Sun Lasts\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.joselitoverschaeve.com\/\" rel=\"noopener\" target=\"_blank\"\u003eJoselito Verschaeva\u003c\/a\u003e \u003cbr\u003eVoid \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e17,1 x 24,4 cm \u003cbr\u003e144 pages \u003cbr\u003e750 copies \u003cbr\u003eHardcover with French folds \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN 978-618-5479-45-9\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Void: ‘As Long as the Sun Lasts’ is Joselito Verschaeve’s second monograph, following his acclaimed debut ‘If I call stones blue it is because blue is the precise word’. In this new work, Verschaeve gathers images from his ever-growing archive to imagine a world on the verge of ending—a tender, melancholic reflection on creation, fragility, and persistence in uncertain times.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e‘As Long as the Sun Lasts’ follows Joselito Verschaeve’s characteristic working process: building an ever-growing archive of photographs from daily encounters, sketching ideas, and drawing from this pool of images to shape a new story. For this book, the photographs conjure a world that feels close to its ending. They pulse with a soft melancholy, as if the light itself were counting down.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe title borrows from Italo Calvino’s ‘Cosmicomics’, where the sun nears its death and humanity prepares for its own. Yet, in Calvino’s story, the end isn’t only tragedy—it is also clarity, a strange peace that comes from recognising life’s transience. Verschaeve’s work holds the same duality: a tension between continuation and collapse, optimism and extinction, beauty and the certainty it won’t last. This oscillation between drive and doubt shapes every page of the book, and resonates with our present moment—when the theme of the world coming to an end feels less like fiction.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“The title can be read very optimistically: to keep creating as long as time allows it. But at the same time, it carries a dystopian undertone—that things could end at any given time.”\u003c\/p\u003e","brand":"Void","offers":[{"title":"Default Title","offer_id":45262180745273,"sku":"1-0090","price":73.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/02A8281.jpg?v=1772379831"},{"product_id":"lost-coast-second-edition","title":"Lost Coast (Second Edition)","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eLost Coast (Second Edition)\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/curranhatleberg.com\/\" target=\"_blank\" rel=\"noopener\"\u003eCurran Hatleberg\u003c\/a\u003e \u003cbr\u003eTBW Books \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eHardbound foil-embossed cloth with tip on \u003cbr\u003e100 pages, 47 full color plates \u003cbr\u003e8.27 x 9.72 in. \/ 210 x 247 mm \u003cbr\u003e2025 \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN 978-1-942953-75-3\u003cbr\u003e$60\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom TBW: TBW Books is proud to announce the long-awaited reprint of Lost Coast, the debut monograph by Curran Hatleberg. First published in 2016 and out of print for nearly a decade, Lost Coast has become one of the most sought-after titles in contemporary photography—rarely, if ever, seen on the secondary market. This new edition, faithful in every way to the original sequence and edit, features vastly improved production: newly remastered files, elevated print quality, richer color reproduction, and upgraded materials, all executed with the precision and care that have come to define Hatleberg’s work.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eIn Lost Coast, Hatleberg presents an episodic narrative centered on Eureka, California. The photographs move fluidly between intimate portraits and the surrounding landscape, between moments of shared connection and quiet dislocation. Each image feels like a short story, rich with detail and ambiguity—offering a layered portrait of a place shaped equally by natural grandeur and the slow erosion of economic promise.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe book’s title references the remote stretch of California’s northern coast, but also gestures to a deeper sense of disappearance—of lives lived in the margins, of dreams cast aside, of overlooked beauty. \u003c\/p\u003e\n\u003cp class=\"p3\"\u003eLost Coast marked the beginning of Hatleberg’s acclaimed photographic practice exploring contemporary American life. This reprint reintroduces that start with greater clarity and presence than ever before.\u003c\/p\u003e","brand":"TBW Books","offers":[{"title":"Default Title","offer_id":45266989613113,"sku":"1-0091","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/02A5316.jpg?v=1770663031"},{"product_id":"blood-green","title":"Blood Green (Signed)","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eBlood Green\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/curranhatleberg.com\/\" target=\"_blank\" rel=\"noopener\"\u003eCurran Hatleberg\u003c\/a\u003e \u003cbr\u003eTBW Books \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eHardbound with edge color \u003cbr\u003e64 pages, 35 plates \u003cbr\u003e11.5 x 13.5 in. \/ 292 x 343 mm \u003cbr\u003eEdition of 1,000 signed copies \u003cbr\u003e2025 \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN 978-1-942953-76-0\u003cbr\u003e$100\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom TBW: TBW Books is pleased to announce \u003ci\u003eBlood Green,\u003c\/i\u003e a new artist book by Curran Hatleberg, conceived as a coda to the artist’s acclaimed 2022 monograph, \u003ci\u003eRiver’s Dream. Blood Green\u003c\/i\u003e offers an alternate vision—less an outtake than a parallel dream, a shadow of the original, expanding on the darker themes of contemporary American life.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eContinuing his journey through the American Southeast, Hatleberg travels further downriver and deeper into its swamplands. These new images are dense and disorienting. In thickets and backwaters, animals appear only to vanish, while violence is ever-present in the human need to contain what ultimately cannot be tamed.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThis haunting dialogue continues the conversations between nature and civilization, and between beauty and mortality, that Hatleberg adeptly began in \u003ci\u003eRiver’s Dream. \u003c\/i\u003eAs always, Hatleberg’s frame carries a rare sensitivity, built not from observation alone but from time shared—both with the landscape and with those befriended along the way.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003ePrinted with the same precision, exactitude and dimensions as \u003ci\u003eRiver’s Dream, Blood Green\u003c\/i\u003e is limited to 1,000 copies, each signed by the artist. The book is printed in both full color and duotone, offering an intimate reconciliation to Hatleberg’s evolving American portrait.\u003c\/p\u003e","brand":"TBW Books","offers":[{"title":"Default Title","offer_id":45267038928953,"sku":"1-0092","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/Blood_Green_Realm__02A5342.jpg?v=1768315939"},{"product_id":"gumsucker","title":"Gumsucker","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eGumsucker\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.roryking.net\/\" rel=\"noopener\" target=\"_blank\"\u003eRory King\u003c\/a\u003e \u003cbr\u003eCharcoal Press \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eHardcover, Linen with tip-on \u003cbr\u003e128 Pages \u003cbr\u003e11 x 14 inches \u003cbr\u003eEdition of 1000 \u003cbr\u003ePrinted China \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISSB: 978-1-7362345-7-0\u003cbr\u003e$75\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Charcoal Press: \u003ci\u003eGumsucker\u003c\/i\u003e  laments the loss of untamed Australian wilderness to civilization, ever encroaching, domesticating the land and spirit. It is a ghost story of sorts, populated by withering vestiges and isolated souls. Its title, drawn from the archaic term once used to describe native-born European Australians, also recalls ‘The Gumsucker’s Dirge,’ a 19th-century poem mourning the erasure of wilderness as the frontier was pushed further out and the dream of an untouched wilderness became increasingly inaccessible. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRory King’s images depict a landscape of abandonment, yet speak of a yearning for deep connection in the face of isolation. These are lonely photographs, but with warmth and connection at their edges. There is resistance here, some fight and resilience to the disillusionment of modernity. Through his patient gaze, King's lens captures strangers, companions and brute nature alike in a tender embrace.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRory King is a Canberra-based who was awarded the Charcoal Publishing Prize at the 2023 Chico Review. He was the recipient of The Pool Grant #12 in 2023 from The Pool Collective. He was a finalist in the 2022 Australian Photography Awards, Portrait category, and received the National Gallery of Australia Summer Art Scholarship for photography in 2011, was named one of the up-and-coming artists of 2018 by Vogue, Australia. He published his debut monograph, ‘Plumwood’ (2022) with Tall Poppy Press.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-YLh_ovG2t0?si=JdN763PcENc5BRDe\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Charcoal Press","offers":[{"title":"Default Title","offer_id":45267491618873,"sku":"1-0093","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/02A8343.jpg?v=1771435968"},{"product_id":"you-are-what-you-do","title":"You Are What You Do","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eYou Are What You Do\u003c\/strong\u003e \u003cbr\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.daniel-arnold.org\/\" target=\"_blank\"\u003eDaniel Arnold\u003c\/a\u003e \u003cbr\u003eLoose Joints \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eSection-sewn landscape hardcover with dust jacket and mirrored sticker \u003cbr\u003e275 x 225 mm, 184 pages, 124 colour plates \u003cbr\u003eEdited by Sarah Chaplin Espenon \u003cbr\u003eDesigned by Loose Joints Studio \u003cbr\u003e\u003cbr\u003eLJ215, November 2025\u003cbr\u003eISBN 978-1-912719-70-9\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn today’s world, everyone is a photographer carrying a camera in their pocket at all times. Arnold’s images show us the best of what we’re theoretically capable of, if only we applied ourselves a bit harder. Timeless, effortless, and filled with humor and wit; You Are What You Do is a celebration of humanity and a perfect example of how photography can capture life’s richness and beauty. -CH\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Loose Joints: Arnold’s pursuit of the human moment reveals an artist of emotional range in a city alive with contradiction and complexity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLoose Joints is proud to present \u003ci\u003eYou Are What You Do\u003c\/i\u003e, a monograph by Daniel Arnold — one of New York’s most renowned and obsessive modern street photographers. Over the past fifteen years, Arnold has become a cult figure in the city’s visual culture, known for his raw, humanistic encounters with its citizens and for collaborations spanning from the Safdie brothers to the Met Gala and beyond.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRooted in a well-trodden lineage of New York street photography, Arnold’s work channels the chaos, chutzpah, humour and vitality that define the city, yet \u003ci\u003eYou Are What You Do\u003c\/i\u003e reveals something more: a tenderness and empathy that courses through every frame. There are genuine moments of sadness and grief mixed with joy, alongside spontaneous, unscripted scenes of pure street cinema, blended with candid images from fashion shoots and film sets, all sitting effortlessly within Arnold’s generous visual language.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWorking from a vast archive, this generous landscape-format monograph distills Arnold’s signature wry, tragicomic style into a spacious and classical book object. From the glamorous heights of high culture to the downtrodden and overlooked, \u003ci\u003eYou Are What You Do\u003c\/i\u003e draws a wide, empathetic circle around New York’s characters and charm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VGdnUmhiliE?si=glr6-S9TkE7cSqNE\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":45275860893753,"sku":"1-0094","price":73.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/You_Are_What_You_Do_Realm_HP_2510_small_3cb02f09-3700-42de-9bb0-af586cd02e08.jpg?v=1767827239"},{"product_id":"the-classroom","title":"The Classroom","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eThe Classroom\u003c\/strong\u003e \u003cbr\u003eHicham Benohoud \u003cbr\u003eLoose Joints \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e170 x 230 mm, 144 pages, 76 monotone plates \u003cbr\u003eSection-sewn quarterbound hardcover with buckram debossed spine and trimmed edges\u003cbr\u003eEdited by Sarah Chaplin Espenon \u003cbr\u003eDesigned by Loose Joints Studio with an excerpt from Michel Foucault's \u003ci\u003eDiscipline and Punish\u003cbr\u003e\u003c\/i\u003eScans and file preparation by LSD, Paris\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLJ210, March 2025\u003cbr\u003eISBN 978-1-912719-65-5\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Loose Joints: \u003ci\u003eThe Classroom\u003c\/i\u003e explores control and discipline within post-colonial Moroccan identity through staged, uncanny classroom images created between 1994 and 2002.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrustrated by Morocco’s rigid educational system of the 1990s, art teacher Hicham Benohoud used photography as a pedagogical tool, creating a makeshift darkroom in his classroom to foster collaborative and hands-on learning, encouraging students to engage with creativity and identity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe resulting images created with his students are marked by tension and alienation, blending absurdity, humour, and unease in their exquisitely framed and obliquely disarming compositions. In juxtaposing the monotony of the classroom with a visual exploration of both freedom and control, \u003ci\u003eThe Classroom\u003c\/i\u003e builds a playful and existential critique of postcolonial identity, where childlike creative gestures merge into a more ambiguous aesthetic that hints at oppression, violence and isolation.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis new publication by Loose Joints draws from the artist's original archive of negatives from the time, building the first comprehensive appraisal of Benohoud’s ground-breaking series while highlighting the modern relevance of the work in its engagement with performance, politics, pedagogy and the body decades ahead of its time.\u003c\/p\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":45275898019897,"sku":"1-0095","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/Hicham-shots-Logo_1080x1080_c6b4d52f-fbff-40c5-9bb9-7390d9aa6dff.jpg?v=1766425861"},{"product_id":"seven-signs","title":"Seven Signs","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eSeven Signs\u003c\/strong\u003e \u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.instagram.com\/hankus_archer\/\"\u003eHenry Archer\u003c\/a\u003e\u003c\/span\u003e, \u003ca href=\"https:\/\/www.jackrfox.com\/\"\u003e\u003cspan class=\"s1\"\u003eJack Fox\u003c\/span\u003e\u003c\/a\u003e, \u003ca href=\"https:\/\/nikamc.com\/\"\u003e\u003cspan class=\"s1\"\u003eNika McKagen\u003c\/span\u003e\u003c\/a\u003e \u0026amp; \u003ca href=\"https:\/\/jackgarland.co\/\"\u003e\u003cspan class=\"s1\"\u003eJack Garland\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eRisograph\u003cbr\u003eHandbound\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e$15\u003c\/p\u003e","brand":"Self-Published","offers":[{"title":"Default Title","offer_id":45475639558201,"sku":"3-0032","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/SevenSigns1771016902412_original.jpg?v=1771213009"},{"product_id":"mike","title":"MIKE","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eMIKE \u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.elijahhowe.com\/\" target=\"_blank\" rel=\"noopener\"\u003eElijah Howe\u003c\/a\u003e \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eTIS \u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e15cm x 20cm \u003cbr\u003esoftcover with foil stamp \u003cbr\u003e128 pages \u003cbr\u003e74 images \u003cbr\u003eISBN 9781943146390 \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom TIS: Through a mix of family archive photos and Elijah Howe’s own images, \u003ci\u003eMIKE\u003c\/i\u003e is a son’s reflection on the life of his father, seen through the eyes of those closest to him. From his youth as the lead singer of a heavy metal band to his quieter, middle-aged years as a husband and father, the photographs build a layered portrait of Mike Howe’s identity. Yet, after his death, the narrative unravels into chaos and emptiness, conveying the profound and unsettling impact of loss. \u003ci\u003eMIKE\u003c\/i\u003e is a poignant look at how we remember and carry those who have passed, revealing how absence can be as powerful as presence.\u003c\/p\u003e","brand":"TIS","offers":[{"title":"Default Title","offer_id":45479859912761,"sku":"1-0101","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/02A8298.jpg?v=1771368038"},{"product_id":"collider","title":"COLLIDER","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eCOLLIDER\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.carlwooleystudio.com\/\" target=\"_blank\" rel=\"noopener\"\u003eCarl Wooley\u003c\/a\u003e \u003cbr\u003eTIS \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e16cm x 21cm \/ 6.5\" x 8.3\" \u003cbr\u003esoftcover with jacket \u003cbr\u003eOTA binding \u003cbr\u003e88 pages \u003cbr\u003e44 color images \u003cbr\u003eISBN 9781943146413 \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom TIS: When our daughter was a year old, my wife’s work brought us to Geneva, Switzerland for several months. I spent my days looking after our daughter, often taking her on long walks in her stroller through quiet residential streets, along the edges of the lake, and out into the surrounding countryside. We were exploring this place together—it was new for me, and everything was new for her.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eJust beyond the city’s edge lies CERN, home of the Large Hadron Collider. I had somehow imagined we’d be able to tour the massive underground facility, which of course was not possible without special clearance. Instead, my daughter and I visited the modest, almost nondescript museum above. Behind a plexiglass case sat what was said to be the first computer used to host the World Wide Web, used by scientists at CERN to collaborate more easily and eventually to share their findings with colleagues around the world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSitting in her stroller, my daughter was oblivious to the machine’s significance, just as she was to the miles-long circular tunnel beneath our feet, where particles were being accelerated to tremendous speeds and smashed together to recreate conditions last seen when the universe was less than a trillionth of a second old. Cathedral-sized chambers housed enormous instruments designed to decipher the meaning of those collisions.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs I looked out the window at the quiet countryside, I didn’t know what to make of it all—the strange and wondrous things we humans build, and the silences we break open, to look beyond the limits of our understanding.\u003c\/p\u003e","brand":"TIS","offers":[{"title":"Default Title","offer_id":45480152105017,"sku":"1-0103","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/Collider_RealmBooks_02A8426.jpg?v=1771383850"},{"product_id":"sacred-place","title":"Sacred Place","description":"\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eSacred Place \u003c\/strong\u003e\u003cbr\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.balaramaheller.com\/\" target=\"_blank\"\u003eBalarama Heller \u003c\/a\u003e\u003cbr\u003eTIS\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/aperture.org\/editorial\/announcing-the-2025-photobook-awards-shortlist\/\" target=\"_blank\"\u003eShortlisted for the 2025 Paris Photo-Aperture First Book Award\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e22.5cm x 30cm \u003cbr\u003esoftcover with tip-on, silkscreen and foil stamp \u003cbr\u003eSwiss binding with golden thread \u003cbr\u003e76 pages \u003cbr\u003e60 images printed in 7 colors \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eISBN 9781943146406\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom TIS: Balarama Heller’s \u003ci\u003eSacred Place\u003c\/i\u003e was created in the predawn hours, when the veil between the spiritual and material realms is thinnest. It is a deeply personal yet universally resonant pilgrimage exploring faith, memory, and spiritual transformation. Born into the Hare Krishna movement in America, Balarama Heller grew up within a world of devotion, ritual, and upheaval—moving through communes, countercultures, and moments of both transcendence and disillusionment. Returning to Vrindavan, India, the heart of the religion, Heller, guided by Joseph Campbell’s idea that sacred places reveal “eternity shining through time,” crafts an alchemical tapestry of archetypes both ancient and new. \u003ci\u003eSacred Place\u003c\/i\u003e sifts through the magnetism forged by millennia of pilgrims—Heller himself among them—seeking to touch the Infinite glimmering through the present.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"TIS","offers":[{"title":"Default Title","offer_id":45489348051001,"sku":"1-0104","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/02A8314.jpg?v=1774121167"},{"product_id":"in-the-beginning","title":"In the Beginning","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eIn the Beginning\u003c\/strong\u003e \u003cbr\u003eRoe Ethridge \u003cbr\u003eLoose Joints \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCounty Line: 36pp, section-sewn softcover, 200 x 250 mm\u003cbr\u003eSpare Bedroom: 88pp, section-sewn hardcover, 200 x 250 mm\u003cbr\u003eOrange Grove: 16pp, stitched booklet, 200 x 250 mm\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished by Loose Joints, February 2026\u003cbr\u003eISBN 978-1-912719-71-6\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Loose Joints: Ethridge’s cult early studies of the American everyday return in a three-volume set revealing the origins of his style.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLoose Joints is proud to present\u003ci\u003e In the Beginning\u003c\/i\u003e, a three-volume set reuniting Roe Ethridge’s three formative, self-published books – \u003ci\u003eCounty Line\u003c\/i\u003e, \u003ci\u003eOrange Grove\u003c\/i\u003e and \u003ci\u003eSpare Bedroom\u003c\/i\u003e – originally released in 2004–05 and long out of print. Across these early volumes, Ethridge stages a sharp, playful inquiry into the American everyday. From rotting Florida citrus orchards to half-built suburban interiors and the static hum of strip-mall signage, each book turns on a clear typological register, where the familiar slides easily into the strange. Ethridge sets his pictures in a dialogue with photographic archetypes – catalogues, calendars, studio models, kitsch displays – using them to probe how images shape, naturalise and sometimes fracture American life.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEthridge’s early books all emerge from loose typologies that, in their slippages, probe and complicate the aesthetics of American visual culture. From 2004, \u003ci\u003eOrange Grove\u003c\/i\u003e distills photographs made in a dilapidated Florida orchard into a study of slow collapse, a familiar symbol of American plenty quietly withering on the tree. Self-published simultaneously, 2004’s \u003ci\u003eSpare Bedroom \u003c\/i\u003ebegins Ethridge’s career-long practice of jumbling and juxtaposing the commercial and the personal, in which an early commission for a furniture company unravels into a jagged mix of domestic scenes, catalogue imagery and loosely staged interiors. Finally, \u003ci\u003eCounty Line\u003c\/i\u003e (2005) turns to the liminal spaces of Queens and Nassau County, abstracting the language of the strip mall into a concrete-poetry of word-photographs that sit against other images evoking the blurry edges of the suburban sprawl.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTaken together, the three books form a weave of contrasts, where moments of banality tilt towards the uncanny and the absurd. These early publishing experiments trace the emergence of Ethridge’s now-signature method: slanting, doubling and displacing images until they cohere with unexpected force or deliberately fall apart.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eReissued twenty years later, \u003ci\u003eIn the Beginning\u003c\/i\u003e reads as a prefiguration of the more than fifteen books and catalogues that would follow. It marks the opening chapter of an artist who would go on to become one of contemporary photography’s most influential practitioners – revealing the restless, incisive eye that shaped everything to come.\u003c\/p\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":45505110868025,"sku":"1-0107","price":90.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/IntheBeginning_RealmBooks_02A8598.jpg?v=1771987529"},{"product_id":"rude-in-the-good-way","title":"Rude in the Good Way","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eRude in the Good Way\u003c\/strong\u003e \u003cbr\u003eRoe Ethridge \u003cbr\u003eLoose Joints \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e112pp, 71 colour plates, 235 x 300 mm \u003cbr\u003eSection-sewn softcover with paper flaps \u003cbr\u003eEdited by Roe Ethridge \u0026amp; Sarah Chaplin Espenon \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDesigned by Loose Joints Studio\u003cbr\u003ePublished by Loose Joints\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLJ219, January 2026\u003cbr\u003eISBN 978-1-912719-72-3\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Loose Joints: \u003ci\u003eRude in the Good Way\u003c\/i\u003e explores desire as both subject and method within Roe Ethridge’s complex visual bricolage of commercial glamour, errant snapshots, private sexuality and studio play.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWorking through his characteristically oblique, offhand style, Ethridge lets sexuality, identity, seduction and the camera drift into the same plane, never fully separating one from the other. Loosely woven fugues of images converge, always cheekily winking toward something just out of frame: technicolor flash typologies of mouldy peaches, hyper-composite images of Lindsay Lohan, and Chanel still lifes both luxurious and lurid move alongside intimate, dressed-down snapshots of Ethridge’s collaborator Lulu Sylbert, unresolved glimpses into painter John Currin’s erotically charged studio, sarcastic self-portraits, and constant callbacks to the unmistakable image world Ethridge has built over the past twenty years, where photographs refuse to be pinned down or left unstimulated.\u003cbr\u003e\u003cbr\u003eThese fragments ask us, like the title itself, what is rude and what is not. A polished image, a casual glitch, a throwaway snapshot, a luxury still life, a screenshot from a weather station webcam? Ethridge sharpens his polychronic world to a point where desire, consumption and self-presentation overlap so completely that the photographs begin to test our own appetites: what we see, what we want and how we perform.\u003c\/p\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":45505419509817,"sku":"1-0108","price":64.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/RudeInTheGoodWay_RealmBooks_02A8664.jpg?v=1771993261"},{"product_id":"field-book","title":"Field Book","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eField Book\u003c\/strong\u003e  \u003cbr\u003e\u003ca href=\"https:\/\/jordanputt.com\/\" target=\"_blank\" rel=\"noopener\"\u003eJordan Putt\u003c\/a\u003e \u003cbr\u003eComposit \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEssay by Kelli Connell\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e7 x 9\"\u003cbr\u003e124 pages\u003cbr\u003eHard cover with blue cloth. Foil stamped.\u003cbr\u003ePrinted on Neenah Classic Crest Natural White 80# Text\u003cbr\u003eEdition of 250, first edition, first printing.\u003cbr\u003eISBN 979-8-9987660-3-9\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePhotographed across six years in Pima County, Arizona, \u003ci\u003eField Book\u003c\/i\u003e traces the shifting social landscape of the Sonoran Desert and the lives shaped by an environment of extremes. This work is situated in a region an hour north of the contested United States-Mexico border, revealing a more entangled relationship with the southwestern landscape. \u003ci\u003eField Book \u003c\/i\u003eforegoes the familiar political rhetoric of fear or photographic tropes of weathered miners to reveal a subtler frontier: one where quiet intimacies and ordinary struggles reflect back on our own lives.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs a teenager, Jordan Putt learned land surveying from his father, spending summer days weaving between prickly pear cacti with a GPS on a six-foot rod slung over his shoulder. What began as a tool for measuring topography became a way of understanding the social contours of the desert. In this work, the surveyor’s field book is reimagined as a photographic ledger, recording the physical geography and those bound by the enduring thread of the Sonoran Desert.\u003c\/p\u003e","brand":"Composit","offers":[{"title":"Default Title","offer_id":45548352569401,"sku":"1-0111","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/FieldBook_RealmBooks_02A8860.jpg?v=1772163806"},{"product_id":"swamp","title":"Swamp","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eSwamp\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/jordanputt.com\/\" target=\"_blank\" rel=\"noopener\"\u003eJordan Putt\u003c\/a\u003e \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eTwelfth Floor Press \u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e\"All danger, no malice.\" \u003cbr\u003ePhotographs made during Swampfest 2025 \u003cbr\u003eMarch 13-15 \u003cbr\u003eWaldo, Florida\u003c\/p\u003e","brand":"Twelfth Floor Press","offers":[{"title":"Default Title","offer_id":45552617783353,"sku":"2-0034","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/Swamp_RealmBooks_02A8504.jpg?v=1772301732"},{"product_id":"sons-of-the-living","title":"Sons of the Living","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eSons of the Living\u003c\/strong\u003e (Second Edition) \u003cbr\u003e\u003ca href=\"https:\/\/www.bryanschutmaat.co\/\" rel=\"noopener\" target=\"_blank\"\u003eBryan Schutmaat\u003c\/a\u003e \u003cbr\u003eTrespasser \u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cem\u003e\u003cstrong\u003emore copies coming soon!\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e11.75x14.75 inches\u003cbr\u003e188 pages\u003cbr\u003e90 tritone plates on uncoated paper\u003cbr\u003eSecond Edition\u003cbr\u003eDesigned by Cody Haltom\u003cbr\u003eProduction management by Thomas Bollier\u003cbr\u003eDust jacket art by \u003ca href=\"https:\/\/www.jackwhitefield.com\/editions\"\u003eJack Whitefield\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Trespasser: Sons of the Living is a photobook about the land and people along the highways of America’s deserts. Photographed over the course of a decade in the American West’s arid and sweeping terrain, this work depicts a human capacity for endurance. Schutmaat offers an updated view of the “open road” that addresses a new era of uncertainty and anxiety. Amidst a backdrop of environmental decline, economic dispossession, and societal neglect, Sons of the Living draws attention to trouble on the road ahead and searches for our hope to withstand it.\u003c\/p\u003e","brand":"Trespasser","offers":[{"title":"Default Title","offer_id":45568826343481,"sku":"1-0113","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/2026_03_20_RealmBooks_07A4477_SonsoftheLiving_small_c5f441b6-ef61-47d6-a290-28ba95e36191.jpg?v=1774127144"},{"product_id":"going-yard","title":"GOING YARD","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eGOING YARD\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/codyhaltom.com\/\" target=\"_blank\" rel=\"noopener\"\u003eCody Haltom\u003c\/a\u003e \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eSecond Edition of 50\u003cbr\u003e6.7 x 9.85\u003cbr\u003e24 pages\u003cbr\u003eNewsprint\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGOING YARD: a zine celebrating a time when baseball players looked more like Dads grilling out than dudes on HGH. Images cropped from 1990 Upper Deck cards\u003c\/p\u003e","brand":"Self-Published","offers":[{"title":"Default Title","offer_id":45608468545593,"sku":"2-0036","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/2026_03_20_RealmBooks_07A4326_GoingYard_small_da86f3b0-141c-443f-bdd2-48b860cded90.jpg?v=1774118501"},{"product_id":"where-the-light-came-in","title":"Where the Light Came in","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eWhere the Light Came in\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.judithblack.me\/\" target=\"_blank\" rel=\"noopener\"\u003eJudith Black\u003c\/a\u003e \u003cbr\u003eStanley\/Barker \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e24x17 \u003cbr\u003e88 pages \u003cbr\u003eSelf covered \/ UK Silk Screened images \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom STANLEY\/BARKER: The most consequential moments are rarely dramatic. What stays with us, what makes us feel truly seen, is often small, domestic, and endlessly repeated. Judith Black’s photographs, made at home in the early 1980s of her four young children and their stepfather, remind us of this simple truth.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn 1980, after a divorce, Judith moved her family to Cambridge, Massachusetts, and took a job at the darkroom at MIT. Their home wasn’t grand, but it was theirs, a place to begin again. Not long after settling in, they found a worn old armchair left on the side of the road and gave it a place by the window. It became a spot of rest and quiet theatre, a vantage point from which Judith watched her children grow, day by day, frame by frame.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis new book gathers every photograph she made of that single chair. What begins as cast-off furniture becomes, through her attentive eye, a kind of threshold: a simple thing that holds a whole world. There is a truth here that is easy to overlook, that by staying close to the ordinary, by returning to the same corner of a room, we might learn to see more clearly. And that the measure of a life is so often found not in grand gestures, but in the worn fabric of a chair, the shifting light, the hush of children growing older under our watch.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eWhere the Light Came In\u003c\/i\u003e has been carefully designed to feel like an object of devotion; the kind of object a parent might make at home. Each photograph has been silkscreened with a soft gloss varnish, echoing the sheen of prints lovingly pasted into an album. Handwritten notations run through the pages, intimate and unguarded. The book itself is coverless, its exposed binding sewn and held in place with quiet precision, a gesture of care and vulnerability.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"\u003ci\u003eThe chair, a curbside find on garbage day, was covered with a swath of dark brown corduroy to hide its tattered arms and worn cushions. It sat by the entryway door and caught brief moments of early morning light from the dusty living room bay window that looked over the alley separating our apartment from our neighbour.\u003c\/i\u003e\" - Judith Black\u003c\/p\u003e","brand":"Stanley\/Barker","offers":[{"title":"Default Title","offer_id":45688992727097,"sku":"1-0119","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/Where_the_Light_Came_In_1777073650678.jpg?v=1777139765"},{"product_id":"la-polaroids","title":"L.A. Polaroids","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eL.A. Polaroids\u003c\/strong\u003e \u003cbr\u003eRobby Müller \u003cbr\u003eStanley\/Barker \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e30x24 \u003cbr\u003e96 pages \u003cbr\u003eLinen Covered \/ Case Bound \/ Silk screened\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTexts by: Alex Cox \/ Willem Dafoe \/ Barbara Scharres \/ Andrea Müller-Schirmer \/ Wim Wenders\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom STANLEY\/BARKER: In the 1980s, the acclaimed Dutch cinematographer Robby Müller spent months at a time away from home, collaborating with renowned directors such as Alex Cox and Wim Wenders to create some of the decade’s most influential films such as \u003ci\u003eRepo Man\u003c\/i\u003e,\u003ci\u003e Paris, Texas,\u003c\/i\u003e \u003ci\u003eBarfly and To Live and Die in L.A..\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAfter long days on set, Müller stayed at the Kensington Motel in Santa Monica, a simple apartment hotel just behind Ocean Boulevard and steps from the beach. He liked its plain comforts: an ironing board folded into the wall, a coffee pot bubbling on the stove, Garfield the hotel cat who kept him company. It felt familiar, not just a place to pass through. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHe always carried his SX-70 Polaroid camera, making tender images when work paused, bringing what William Friedkin called “a foreigner’s eye” to America: noticing details others missed, avoiding clichés, always returning to light and colour as his true subjects. In these Polaroids, Müller frames a Los Angeles that no longer exists: small rooms, edges of the beach, street corners, a city built for cars seen by a cinematographer who preferred to walk. They reveal a man far from home, looking for stillness and light in the spaces in between.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEdited and with an introduction by Andrea Müller-Schirmer; designed by Linda van Deursen and expertly printed in Italy and bound as a uniquely flexible chopped linen soft-back, silk screened in a sun-kissed orange, it carries the warmth of Müller’s Los Angeles. Alongside Müller’s images are texts from his collaborators, including directors Alex Cox and Wim Wenders, and actor Willem Dafoe.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"What impressed me was he would see what no one saw – the origin, the presence, the vibration, the possibility of what was already there...\" - Willem Dafoe \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"He had an eye for the light that the camera, and its film, loved.\" - Wim Wenders \u003c\/p\u003e","brand":"Stanley\/Barker","offers":[{"title":"Default Title","offer_id":45689021857849,"sku":"1-0120","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/LA_Polaroids_1777071544105.jpg?v=1777138756"},{"product_id":"academy","title":"Academy","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eAcademy\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/jdanielhud.com\/\" target=\"_blank\" rel=\"noopener\"\u003eJ Daniel Hud\u003c\/a\u003e \u003cbr\u003eNighted \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e7x9 inches \u003cbr\u003e64 pages \u003cbr\u003ePerfect bound \u003cbr\u003eEdition of 150 \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePhotos taken at a military academy in Chicago, Illinois.\u003c\/p\u003e","brand":"Nighted","offers":[{"title":"Default Title","offer_id":45693307813945,"sku":"1-0121","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/Nighted1775766563297.jpg?v=1775768438"},{"product_id":"chicago-in-transit","title":"Chicago in Transit","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eChicago in Transit\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/grahamhenrychapman.com\/\" target=\"_blank\" rel=\"noopener\"\u003eGraham Chapman\u003c\/a\u003e \u003cbr\u003eTrope \u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eHardcover\u003cbr\u003e160 pages\u003cbr\u003eSize: 7.0 x 9.0 inches\u003cbr\u003e145 Photographs\u003cbr\u003eMatte Art Paper\u003cbr\u003eISBN: 978-1-951963-55-2\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFrom Trope: \u003ci\u003eChicago in Transit \u003c\/i\u003eis a portrait of contemporary urban life. Photographer Graham Chapman spent a decade walking around Chicago with a camera in hand, capturing people as they moved around the city, whether on foot, public transit, car, or bike. \u003ci\u003eChicago in Transit\u003c\/i\u003e is the culmination of that visual exploration. Some subjects are weary, others alert; some engaged in conversation, others immersed in music, books, or simply their own reflections.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFeaturing over 125 color photographs, \u003ci\u003eChicago in Transit\u003c\/i\u003e is organized by time of day, from early mornings to late nights, each photograph marked with its neighborhood and timestamp. The images are intimate without intrusion, brief moments that reflect the solitude and shared connection people feel while moving around a city.\u003c\/p\u003e","brand":"Trope Publishing","offers":[{"title":"Default Title","offer_id":45718046277689,"sku":"1-0123","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/ChicagoInTransit1776287878499.jpg?v=1776289509"},{"product_id":"mixedness-is-my-mythology","title":"Mixedness is my Mythology (Signed)","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eMixedness is my Mythology\u003c\/strong\u003e (Signed) \u003cbr\u003e\u003ca href=\"https:\/\/farrenvanwyk.xyz\/\" rel=\"noopener\" target=\"_blank\"\u003eFarren van Wyk\u003c\/a\u003e \u003cbr\u003eDeadbeat Club \/ Fw:Books \u003c\/p\u003e\n\u003cp class=\"p3\"\u003eESSAY BY TAOUS DAHMANI \u003cbr\u003eSOFTCOVER \u003cbr\u003eTRITONE OFFSET \u003cbr\u003e116 PAGES \u003cbr\u003e9.25” X 11.25” \u003cbr\u003eSWISS BOUND \u003cbr\u003eISBN: 978-90-836127-6-8\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Deadbeat: \u003ci\u003eMixedness is my Mythology\u003c\/i\u003e, the first monograph by South African–Dutch photographer Farren van Wyk, explores themes of identity, representation and personal agency.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eJuxtaposing the artist’s lived experience in the Netherlands with her inherited history as a native of post-apartheid South Africa, van Wyk navigates the space where personal narratives intersect with broader histories of representation, colonialism and power, ultimately producing a body of work that is both deeply intimate and widely resonant.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eAlong with photographs of her family tending to their land or engaged in tender acts of care, van Wyk develops her own idiosyncratic iconography, examining the construction of a hybrid identity shaped by migration, diaspora and cultural intersectionality. Bringing together South African, Dutch, African American, and classical European cultural references, multiple lineages coexist within her images, resisting fixed definitions and singular origins.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eBy building this personal mythology, rooted in family history, iconic imagery, and reappropriated cultural symbols, van Wyk asserts her visual sovereignty, embracing complexity and nuance while reclaiming the right to self-definition.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFarren van Wyk (1993) is a South African and Dutch photographer and educator. She holds a BA in Photography and an MA in Cultural and Visual Anthropology. Her research-based work centres around decolonial methods or historical and cultural misrepresentation of people of colour. Van Wyk is a member of the African Photojournalist Association with World Press Photo and Black Women Photographers. \u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eMixedness is my Mythology\u003c\/i\u003e is co-published on the occasion of van Wyk’s first solo museum exhibition of the same name at the Fotomuseum, in The Hague, Netherlands.\u003c\/p\u003e","brand":"Deadbeat Club","offers":[{"title":"Default Title","offer_id":45733886951481,"sku":"1-0124","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/Mixedness1776808427434.jpg?v=1776809488"},{"product_id":"garbageland","title":"Garbageland","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eGarbageland\u003c\/strong\u003e \u003cbr\u003eChandler Hawkins \u003cbr\u003ePedestrian \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e5.5” x 8.5” \u003cbr\u003ePerfect bound \u003cbr\u003e104 pages \u003cbr\u003e74 color images on satin paper \u003cbr\u003eDesigned by Chandler Hawkins and Steven Loza in Dallas, Texas \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFrom Pedestrian: Set within the DFW metroplex of North Texas, Garbageland explores a culture of excess, neglect, and isolation. With photographs that treat strangers as oracles, billboards and graffiti as revelations, and unnatural disasters as divine intervention, the book exercises the land’s malevolent forces in hope of a better future.\u003c\/p\u003e","brand":"Pedestrian","offers":[{"title":"Default Title","offer_id":45737881305145,"sku":"1-0125","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/Garbageland1776895239684.jpg?v=1776899135"},{"product_id":"ill-see-you-in-the-branches","title":"I'll See You in the Branches","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eI’ll See You in the Branches\u003c\/strong\u003e \u003cbr\u003eJordan Reyes \u003cbr\u003eEphemere \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eHardcover \u003cbr\u003e76 pages \u003cbr\u003eH25 x W25 cm \u003cbr\u003eFirst Edition, 250 Copies\u003cbr\u003eDesigned by Lee Tesche\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN 978-4-911506-12-1\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e114th and Torrence where I used to spray “FOR A BIZARRE TIME CALL SPYRAL” on freight trains in cyan, except now Krylon Christmas cards are a lapsed ticket booth. In the dead, whistling grass was a spinal cord — deer, I think.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe red line dividing cannibal from non is time. The marker lied with “permanent.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn big block letters at the Broceliande Forest entrance — “Merlin Died Years Ago.” All the kids are crying and I’m a kid, too, albeit near two meters, traipsing through mud in yellow galoshes looking for magic.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThey say home is where the heart is, but for the life of me I can’t remember where I set that thing down.\u003c\/p\u003e","brand":"Ephemere","offers":[{"title":"I'll See You in the Branches (SOLO)","offer_id":45764504977465,"sku":"1-0126","price":50.0,"currency_code":"USD","in_stock":true},{"title":"I'll See You in the Branches \u0026 The Only Dog I Hate (COMBO)","offer_id":45764505010233,"sku":"1-0126-1","price":90.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/Branches1777071896140.jpg?v=1777321633"},{"product_id":"mixed","title":"Mixed","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eMixed\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/devdhunsi.com\/\" target=\"_blank\" rel=\"noopener\"\u003eDev Dhunsi\u003c\/a\u003e \u003cbr\u003eMack \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eOTA paperback \u003cbr\u003eMetallic silkscreen printed shrinkwrap \u003cbr\u003e14 × 17.5 cm, 304 pages \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN 978-1-917651-44-8\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Mack: \u003ci\u003eMixed\u003c\/i\u003e is a vivid and inquisitive exploration of identity by Norwegian artist Dev Dhunsi, whose mixed heritage forms the book’s point of departure. In Norway, where no equivalent word for ‘mixed’ exists, Dhunsi uses photography and text to give form to experiences that language has yet to name, confronting how belonging, visibility, and love are shaped by race, gender, and desire.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eComposed of photographs, archival fragments, and text, the book unfolds as a hybrid work where tenderness and defiance, intimacy and displacement coexist. Through layering and juxtaposition, it presents a complex vision of identity that is both personal and collective, transforming hybridity from conflict into creation.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAcross these pages, Dhunsi builds an experimental, mythical world – a space where bodies, symbols, and words blur and reform. \u003ci\u003eMixed\u003c\/i\u003e sketches out a space for new kinds of humans to exist: fluid, plural, and free.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eMixed\u003c\/i\u003e was made possible by the Nordic Photobook Award, presented by Fotogalleriet Oslo. \u003c\/p\u003e","brand":"Mack","offers":[{"title":"Default Title","offer_id":45838365294649,"sku":"1-0127","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/Mixed_Dev_Dhunsi_photo_book_8630.jpg?v=1778689558"},{"product_id":"viscin","title":"VISCIN","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eVISCIN\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.lanthimos.com\/photography\/\" target=\"_blank\" rel=\"noopener\"\u003eYorgos Lanthimos\u003c\/a\u003e \u003cbr\u003eMack \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eSilkscreen printed leporello bound hardcover\u003cbr\u003e16.5 x 20 cm, 54 pages\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISNB 978-1-917651-67-7\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Mack: In his latest artist’s book, Yorgos Lanthimos further develops his inimitable visual language and his rapidly growing body of photographic work with a beguiling collection of still photographs made around the sets and locations of his 2025 feature \u003ci\u003eBugonia\u003c\/i\u003e. Shot spontaneously between takes, Lanthimos’s photographs present a story untethered to the film and its narrative conventions and once again he uses the possibilities of the book form to explore new modes of storytelling. Moving between offbeat compositions, uncanny portraiture, and evocative landscapes and reflections, Lanthimos weaves a tale of mystery and illusion, death and renewal, imbued with the psychological intensity and eerie modality characteristic of his work. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe physical form of the publication  invokes the unspooling of a film reel, using an accordion or leporello fold to create a sculptural object. The resulting sequence unfurls a narrative of foreboding, violence, and rebirth, told through a progression of black-and-white into colour imagery.\u003ci\u003e VISCIN’s\u003c\/i\u003e unique visuality sees Lanthimos draw on these broad strands of his oeuvre to form a distinctive and enigmatic new world. \u003c\/p\u003e","brand":"Mack","offers":[{"title":"Default Title","offer_id":45842267635769,"sku":"1-0128","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/VISCIN_Yorgos_Lanthimos_Mack_9237_original.jpg?v=1778689887"},{"product_id":"sex-clubs-dissent-visualising-queer-nightlife","title":"Sex, Clubs, Dissent: Visualising Queer Nightlife","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eSex, Clubs, Dissent: Visualising Queer Nightlife\u003c\/strong\u003e \u003cbr\u003eAmelia Abraham \u003cbr\u003eMack \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003ePaperback with die-cut cover\u003cbr\u003e24 x 28 cm, 284 pages\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN 978-1-917651-52-3\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Mack: \u003ci\u003eSex, Clubs, Dissent\u003c\/i\u003e charts an expansive visual history of queer nightlife through the lens of photographers, filmmakers, and artists. Edited by author Amelia Abraham, the book explores how image-making has fostered, and at times jeopardised, the formation of queer practices, subcultures, and forms of resistance. It asks what our decades-long quest to catalogue and understand nightlife spaces through photography and film can tell us about our various relationships with them, and how photography intersects with pleasure, politics, and protest.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs much as an assertion that ‘we were here’, images of queer nightlife – real or otherwise – can be erotic, amusing, alienating, violent, or exuberantly joyful, moving us to seek out our own dancefloor, strip club, or sauna. Rather than a comprehensive catalogue or chronology of queer nightlife, \u003ci\u003eSex, Clubs, Dissent \u003c\/i\u003eis a love letter to those who went out and stayed out, felt the urge to document or reflect what was happening, or who have used their artmaking to dream new modes of being into existence.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith essays and conversations by Amelia Abraham, Brontez Purnell, McKenzie Wark, Rene Matić and Ajamu X, Jack Parlett, Tavia Nyong’o, Adam Zmith, Sita Balani and Sunil Gupta, Ariel Goldberg, Sweatmother, Asa Seresin, and Legacy Russell and Tourmaline\u003c\/p\u003e","brand":"Mack","offers":[{"title":"Default Title","offer_id":45844855128121,"sku":"1-0129","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/SexClubsDissentMack1778694755713.jpg?v=1778763977"},{"product_id":"common-objects","title":"Common Objects","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eCommon Objects\u003c\/strong\u003e \u003cbr\u003eVarious Photographers \u003cbr\u003eUncle Projects \u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eSoftcover, 196 pages\u003cbr\u003e6\" x 9\" perfect bound\u003cbr\u003eFull-color, offset printing\u003cbr\u003e100lb uncoated, 120lb uncoated cover\u003cbr\u003ePrinted in the USA\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCommon Objects brings together the work of 97 photographers from across the globe to explore the role of the image and its ability to shape perception. Organized not by theme or geography but by visual association, the book draws on the logic of the reference catalog—a structure built for sustained, democratic looking. Within it, photographs from vastly different cultures and contexts find themselves in unexpected proximity, generating connections and contrasts that no single image could produce alone. In this format, the photographs enter into a subtle dialogue with one another, revealing how context, sequence, and framing shape interpretation and inform visual experience.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFeaturing work by: Celine Amorim, Hilda Argumosa, John Barnard, Zachary Begler, László Gábor Belicza, Angela Blumen, Cas Bochner, Dominique Philippe Bonnet, Anton Bou, Anna Bruce, Kelly Burgess, Neville Caulfield, Jewel Champbell, Ayushi Channawar, Ning Cheng, Anna Chow, Oana Cionca, Jaina Cipriano, Hernando Conwi, Guthrie Cooper, Ellen Cronin, Dallas Crow, Kira Crugnale, Ben Davis, Brian St. Denis, Ness DeVos, Kristin Dimitrova, Lieve Early, Abby Edwards, Giuseppe Francavilla, Gretchen Grace, Silvia Clo Di Gregorio, Nick Grinder, Mike Hamar, Clayton Hauck, Gabriel Alejandro Gomez Herrera, Shelley Horan, Arthur Hunking, Michelle Huynh, Susan Jablonski, Claudia Kedney-Bolduc, Jonathan Khan, Nate King, Katya Konioukhova, De Kwok, Eve Lee, Joyce Lee, Moonsung Lee, Maria Bethania Lopez, Rachele Maistrello, Sarah Malakoff, Simone Martel, Nika McKagen, Clay Mills, Dominika Muszyńska, Svilen Nachev, Ralph Nabil Nasrallah, Grady Neilan, Gabriel Orlowski, Oliver Kolding Palm, Valentina Paparoni, Mia Patterson, Le Pels, Parker Phelps, Tanya Podubienko, Ian Pritchard, Josefine Rauch, Anna Renger, Matthew Rigby, Rafa Rojas, Xavier Rony, Antonio Rosato, Eslam Abd El Salam, Paul Seaton, Enzo Sebastiani, Michael Seleski, Scott Semler, Tiago Serpa, Niki Stavrianou, Anniina Suhonen, Eric O Sullivan, Maxim Tardiveau, Shaza Tarig, Eliseo Tess, Jeff Tidwell, Angela Tozzi, Cody Tracy, Olivier Tuinier, Gabrielle Tyrie, Vahid Valikhani, Michael Vallera, Nick Venaglia, Hunter Ventress, Hanyue Wang, Elijah Wilborn, Tay Wilcoxson, Thordis Wolf\u003c\/p\u003e","brand":"Uncle Projects","offers":[{"title":"Default Title","offer_id":45851569520697,"sku":"1-0131","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/CommonObjects_Front.jpg?v=1778868496"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/collections\/0016_Realm_Books_022073_Tin_Lizards_small_web_b.jpg?v=1756341190","url":"https:\/\/www.realmbooks.co\/collections\/new-releases.oembed?page=3","provider":"Realm Books","version":"1.0","type":"link"}