{"product_id":"robert-adams-why-people-photograph","title":"Robert Adams: Why People Photograph","description":"\u003ch3 class=\"p1\"\u003e\n\u003cstrong\u003eRobert Adams: Why People Photograph\u003c\/strong\u003e \u003cbr\u003eRobert Adams \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAperture\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eFormat: Paperback \/ softback\u003cbr\u003e189 pages\u003cbr\u003e5.53 x 8.28 x 0.64 inches\u003cbr\u003eISBN: 9780893816032\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eA now classic text on the art, \u003c\/b\u003e\u003cb\u003e\u003ci\u003eWhy People Photograph\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. \u003c\/b\u003eAdams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eugène Atget. The book closes with two essays on \"working conditions\" in the nineteenth- and twentieth-century American West, and the essay \"Two Landscapes.\" Adams writes: “At our best and most fortunate we make pictures because of what stands in front of the camera, to honor what is greater and more interesting than we are.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":46390434332729,"sku":"3-0013","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0742\/9878\/5849\/files\/WhyPeoplePhotographRobertAdamsIMG_6316.jpg?v=1787672092","url":"https:\/\/www.realmbooks.co\/products\/robert-adams-why-people-photograph","provider":"Realm Books","version":"1.0","type":"link"}